Hedonism, right livelihood, projects
Dec. 24th, 2014 01:29 pmOne of the things I deeply appreciate about
scrottie is his strong drive to do work on projects. There's a piece of that drive that could be labeled "introversion," but it's more than just that. I relate to this aspect of S because after a certain point I grow weary of neverending parades and parties and social occasions and talking. Weary of sitting and watching movies, too. I have a higher tolerance of these things than he does, but the underlying sentiment is the same. Enough; let me go do things on my own, take time to think and not speak.
A couple of visits back, my uncle F and I had a brief conversation about projects. He pointed out a simple insight he'd had, that the thing that has kept him up and moving in the long term has been projects. If he didn't develop projects in his workplace, he said he wouldn't have managed to keep burning the rubber to get to work every morning. He went over one day to check out the activity happening at a retired neighbor's house, spying a group of guys hanging out and watching a construction crew, and they all knowingly glanced at each other and said, "Projects." Even in retirement, that's what keeps them going. If I'm kept too long from my stream of projects, I know I get anxious. But I know many other people who have been content with sliding into something of a mental vegetable state. Did they make that choice consciously? Is it the result of some sort of giving up? Are they stuck in a state of struggling to survive that makes it hard to think of much else?
For me, the projects are a piece of the Existential Crisis. It's important to be aware of that. In many ways, they're a struggle against many of the conveniences handed to us on a platter by modern socioeconomic circumstances present in the United States of America. I don't really need to finish making a quilt; it would be cheaper, easier, and far, far faster to just go to a store and buy one, especially if I'm willing to be completely blind to the conditions in which the quilt is made. The quilt also isn't even art in the Western sense, as it's being made for a small audience, and won't be particularly good or nice because it's my first quilt ever and I don't entirely know what I'm doing. But it's there, and I *will* work on it.
The projects are also not hustle and bustle in an attempt to cover up the silence. The silence still creeps through and sends me back to books like Man's Search for Meaning. We'll see about Goedel, Escher, Bach and whether or not it speaks to me at all. I want to go visit the silence, actually, on mountaintops or on lakes.
Is it possible to shift the national discourse away from happiness? It's written into the Declaration of Independence, and yet I'm inclined to agree with Man's Search for Meaning that happiness doesn't relate back to fundamental aspects of the human experience. Advertisers have long exploited the idea because it's an effective selling point.
Religious practice or spiritual development can be a form of project - for many, if not most, a very worthwhile one. Rowing, for me, has been a long-term project.
I remember, quite distinctly, waking up one morning while I lived in the Farmer House, the white light of the Arizona sun shining in through the white curtains, reflecting off the white walls, making the room almost impossibly bright. I had the distinct sensation that my arm, made up of its billions of tiny, metabolically active cells, wasn't fully a part of me, that it would one day return to dust. Then the inner demons compelled me to get up and get back to work.
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A couple of visits back, my uncle F and I had a brief conversation about projects. He pointed out a simple insight he'd had, that the thing that has kept him up and moving in the long term has been projects. If he didn't develop projects in his workplace, he said he wouldn't have managed to keep burning the rubber to get to work every morning. He went over one day to check out the activity happening at a retired neighbor's house, spying a group of guys hanging out and watching a construction crew, and they all knowingly glanced at each other and said, "Projects." Even in retirement, that's what keeps them going. If I'm kept too long from my stream of projects, I know I get anxious. But I know many other people who have been content with sliding into something of a mental vegetable state. Did they make that choice consciously? Is it the result of some sort of giving up? Are they stuck in a state of struggling to survive that makes it hard to think of much else?
For me, the projects are a piece of the Existential Crisis. It's important to be aware of that. In many ways, they're a struggle against many of the conveniences handed to us on a platter by modern socioeconomic circumstances present in the United States of America. I don't really need to finish making a quilt; it would be cheaper, easier, and far, far faster to just go to a store and buy one, especially if I'm willing to be completely blind to the conditions in which the quilt is made. The quilt also isn't even art in the Western sense, as it's being made for a small audience, and won't be particularly good or nice because it's my first quilt ever and I don't entirely know what I'm doing. But it's there, and I *will* work on it.
The projects are also not hustle and bustle in an attempt to cover up the silence. The silence still creeps through and sends me back to books like Man's Search for Meaning. We'll see about Goedel, Escher, Bach and whether or not it speaks to me at all. I want to go visit the silence, actually, on mountaintops or on lakes.
Is it possible to shift the national discourse away from happiness? It's written into the Declaration of Independence, and yet I'm inclined to agree with Man's Search for Meaning that happiness doesn't relate back to fundamental aspects of the human experience. Advertisers have long exploited the idea because it's an effective selling point.
Religious practice or spiritual development can be a form of project - for many, if not most, a very worthwhile one. Rowing, for me, has been a long-term project.
I remember, quite distinctly, waking up one morning while I lived in the Farmer House, the white light of the Arizona sun shining in through the white curtains, reflecting off the white walls, making the room almost impossibly bright. I had the distinct sensation that my arm, made up of its billions of tiny, metabolically active cells, wasn't fully a part of me, that it would one day return to dust. Then the inner demons compelled me to get up and get back to work.